Showing posts with label Old Friends. Show all posts
Showing posts with label Old Friends. Show all posts

Sunday, June 10, 2007

Old Friends Vol 2 and other Miscellany

Following on from Vol 1 of my adventures rediscovering old musical friends here, its time to briefly complete my odyssey and talk about some randomness as well. Having revisited Delirious I have also re-found two bands who both have a certain folk flavour. Firstly, the Levellers and then Iona.

While I was at university, like many others, I got into the Levellers with their brand of folk-tinged rock. There are three main reasons that I liked them: their level of energy, an insane catchiness and the left wing politics that informed a great deal of their music. I have spent quite a lot of time listening to what is probably their best album, Levelling the Land. Its not the greatest album in the world, but it is incredibly catchy and you find yourself helplessly singing along. Even though I hadn't listened to it for a good 5 years or so, I still remembered most of the words and found myself singing along with just about every song. Very enjoyable. Not as immediately catchy, but still a lot of fun are their LP debut A Weapon Called the Word and Zeitgeist.

The second band, Iona, have a special place in my musical heart. They are a rather unique mix of prog rock and folk music. I first saw them live in 1990 at Band on the Wall in Manchester and they made me realise that music could be more than just something you had in the background; that it could be something extraordinary. Two of the most amazing moments I've experienced at gigs have been at Iona concerts. I saw them in the mid nineties and as one of their encores they played a piece called Reels which started slowly and just built faster and faster to a dazzling display of musical virtuosity that got the entire audience dancing like idiots, myself included (if you know me, you know I never dance).

The other was at their 1999 Royal Festival Hall Woven Cord concert. They performed backed by a full orchestra and it was amazing. But the most incredible moment was during a song called Beyond these Shores. It's a very simple song and it was so beautiful that as it faded away at the end, you could hear a pin drop and it took a few moments for people to come to themselves and start applauding. Listening to their music has reminded me all over again, just how good they were and still are.

Other Miscellany, of which there are two items because two is the oddest prime number.

1) I have been catching up with real-life old friends on Facebook which has been cool. Facebook is ridiculously addictive and I find it very easy to waste an hour or two fiddling about on there reviewing movies, exchanging wall posts with friends and playing the iLike music game. It feels satisfyingly sociable without any of the pesky actual in-person socialising or 'meatspace' interaction if you like. (hat tip to Patroclus for the meatspace term)

2) Dr Who. The latest series of Dr Who has finally hit its stride ,with the past 4 episodes being excellent. The Lazarus Experiment, the Family of Blood two parter and this week's episode Blink were all very good. Blink had the most genuinely creepy monsters of the whole series in the Weeping Angels (if you watched, how cool were they?!!) and although the Doctor wasn't in the episode much, it was a cracker.

Friday, May 18, 2007

Old Friends Vol. 1

I've been revisiting some old friends recently. This is nothing to do with me joining Facebook, although I will say it is exceedingly addictive. No, I have been revisiting old musical friends.

Now that I have a mp3 player of exceeding capaciousness, I have been copying much of my CD collection so if I suddenly have a desire to listen to a Phil & John album while out and about, I can. This has meant that I have reacquainted myself with some albums that I used to love, but have callously neglected in recent years. So over the next few weeks I will be posting about some of the albums I have rediscovered.
Delirious - Mezzamorphis

This album was released in 1999 and is an absolute gem. The undisputed creative highpoint of Delirious' output, there are elements of U2, Manic St Preachers and, in places, the mighty Radiohead to enjoy. I hadn't listened to it at all until fairly recently and I was surprised all over again at just how good it is. One of the band's trump cards is guitarist Stu Garrard, who has one of the most recognisable sounds around, possibly rivalling Starflyer 59's Jason Martin for distinctiveness.

The album was unusually well received critically for a band who were and continue to be overtly religious. See this slightly grudging 4 star review from Q magazine, who also included the standout track Metamorphis on their CD of some of the best music of 1999. Previously, due to their roots in creating (admittedly excellent) worship music, Delirious had often been overlooked in the music press and shunned by radio. With this album gaining them critical acclaim, the time was right for a sustained attempt on the charts and mainstream recognition.

However, despite two of the singles charting in the top 20 (a feat considerably harder than it is today), backing from clearly non-religious celebs (Neil Morrissey, who introduced them when they played Glastonbury that year) and appearances on the Big Breakfast and Jonathon Ross' Radio 2 show; Radio 1 still refused to playlist their songs or indeed, play them at all, apart from in the weekly Top 40 so the limited chart success was mainly down to a dedicated fan base. (A later album 'Audio Lessonover' was so called because it is an anagram of 'Radio One Loves Us' in reference to their refusal to play any of their songs)

Live @ the Royal Albert Hall

Yet within that fan base, discontent was growing in places. Many fans disliked the 'new' Delirious, feeling that they had gone too 'secular' and had sold out to the mainstream. I interviewed Delirious in the summer of 1999, and they expressed their frustration at the criticism they received from some Christians because the album didn't contain the word 'Jesus'. Despite the critcism of Mezzamorphis, it is still an album that reflects the faith of the band clearly (in fact, 'Kiss Your Feet' has since been recognised as one their most potent 'worship' songs). Controversy also followed in America with many Christian retailers withdrawing the album due to the lyric 'She's as pretty as hell' in the song 'It's OK'. Lead singer, Martin Smith responded with this press release.

It is a shame that Delirious fell in between two stools, with one side thinking they were too religious and the other often considering them insufficiently religious. This completely overshadowed what was an excellent album, regardless of the 'Christian Rock' label. If Q Magazine could overcome the religious element to see the quality, its a great pity others couldn't. This dispiriting experience no doubt contributed to Delirious' decision to return exclusively to the Christian sub-culture they started in. While still an excellent band, they have never yet scaled the heights of Mezzamorphis (although the next album 'glo' came close). Don't be put off by the 'religious' label, Mezzamorphis has more in common with U2/Radiohead than it does Cliff Richard.

Movies
Severence ****
Star Trek: Nemesis ***
Taxi Driver *****
The Station Agent *****
Downfall *****